Ap Bio Lab 10 Lab Report

CALENDAR OF EVENTS 2011

After less than a year, members of the association are fully cressoise Normand'identité satisfied with the balance of 2010:
- Gift grid operation in April
- Release May 23 plants in Sainte-Foy (30)
- Hiking Discovery June 13 at Catelier and Muchedent (10)
- photo exhibition "to winter time on 2 and 3 October at Cressy (50)
- exit the mushrooms October 17 forest Eawy (50)

For 2011, members of the association have this desire to discover more of Normandy and then to the Normans Cressois.
So here is the schedule of events that was established for 2011:

• Saturday, April 9 : DINING AREAS in Cressy (culinary discovery of Normandy and other regions)
• Sunday, May 15: DISCOVERY-HIKING around a village near Cressy (discovering heritage and environmental Norman)
• Weekend of June 11 to 13 : FESTIVITIES 1100 YEARS OF THE NORMANDY at Cressy and the region Auffay and Longueville (the discovery of history and identity Norman)
• Tuesday, June 21 : MUSIC FESTIVAL at Cressy (discovery of artist Norman)
• Sunday, July 17 : AT FAIR AND EXHIBITION OF PAINTINGS in Cressy (Discovery of artist Norman)
• Sunday, October 2: OUTPUT MUSHROOMS forest Eawy (environmental discovery Norman)
• weekend of 15 and 16 October : EXPO PHOTOS Contest "Expo earlier d'Hiver" at Cressy (discovery of hidden talents of Norman)

This timetable is ambitious for the young association. Thus to carry out these events, you can become a member (annual dues $ 10) . Donations are also accepted. Thank you in advance for your support.

ALL NORMAN,

BEST WISHES AND

FULL OF HAPPINESS FOR 2011!

LIVE THE NORMANDY! VIVE CRESSY!

Make Homemade Rod Holders For Pontoon

MERRY CHRISTMAS TO ALL NORMAN

How To Keep Bed Slats In Place

2011 Mill Road to the Prince of MARTRES

To achieve the Martres it took just clearing a portion of a hundred meters from the former Road cadastral survey under Martres, surrounded by walls (see the map where does the open road). It leaves the trees in the path so that only hikers can borrow it, people do not want Martres the passage of motorized vehicles. The portion is located on the town of Sarlat, but the path starts at the Moulin du Prince. Opening December 11, 2010. It should further refine the path.

View album

Muvis Enespanol Cratis

PRAYER OF CHILDREN AT SANTA

The common Auffay has counted among its inhabitants a famous poet, recognized in the region: Mr. Beaupère. This has left dozens of poems as varied as each other . Here is a poem "Prayer of the small Santa Claus"

"Listen good Santa
our sweet prayer that we do for you in a modest cottage
Where we are happy to see you every year
Trim nice toys our humble chimney

The Good Lord will tell you that we are wise
our little polished shoes will be on your way to reward us
quickly descend from heaven
If you knew how much Father Christmas we will be happy

Makes -I pray a great and beautiful hobby
Or my dearest wish a box of soldiers
To my little sister a pretty doll In
colored dress and golden hair

We only ask neither luxury nor jewel
What will suffice is a simple toy
We know that small
Having wealth for any treasure that caresses the soft

On a good mom you love and we love our little hearts
Listen you repeat it again
We are all thinking of you in this happy moment
Gate us not forget Santa Claus and Mom "

Can Humans Catch Impetigo From Dogs?

Olafur Eliasson: light installations

The Weather Project , is a giant installation investing the Turbine Hall at Tate Modern (London, 2003-2004).

Danish artist who spent his childhood in Iceland, Olafur Eliasson offers facilities highlighting the natural phenomena. Far from imposing a sense of building complex seeking to dominate space, it establishes a physical dialogue between the facility and the audience, full participants.

arrived in the huge hall gray doubled again by the existence of a ceiling mirror over its entire surface, one hesitates between the temple of the sun, an intergalactic spaceship, and a huge ship in the fog . A mist created by a light smoke, cold, gives a certain unreality to the whole. A great sun, sometimes broken into his circle by the effects of juxtaposition of mirrors, which we imagine the next end, and a little murky glow, accented by the gray surrounding metal crush us in their immensity.

I thought about the universe of Enki Bilal, and lying on the ground like a large number of passersby, I took time to travel to this place so vast, where we had the sensation of walking in space, upside down ... in weightlessness, in another space-time.

Travel sidereal , or awareness of a world that ends?
The answer is up to each of us, nothing is imposed, and that's the beauty of this trip silent and opaque.

Edith Lassiat

London, December 2003

Your Welcome Concentric , 2004
Installation
3 discs glass (optical glass and optical glass yellow magenta of 74.8 cm diameter and a disk-mirror of 70.5 cm in diameter and 6 mm thick), steel cable, motor, projection lamp, tripod
Variable dimensions: 400 x 400 cm minimum
Neugerriemschneider Courtesy Galerie, Berlin












Installation "kinetic" to Bergen

What Is An I Chi From Jcpenneys

JAMES TURRELL: The light that lives

Click on the link below:

Some works

James Turrell Architect of light


Skyspace, 1998

Since the late '60s, James Turrell installations, also known as "perceptual environments "Are made from a single material: light, natural or artificial. Apart from the drawings and plans which accompany his larger works, and its production does not object as such.

Skyspace at Live Oak Friends Meeting House,
Houston, Texas 2000

Meeting, 1988

Some works filmed

Its operations, its facilities "Room" or open, all proceed from an artistic quest that is destabilizing our relationship the real.

Skyspace / Roden Crater

By manipulating the light, James Turrell is seeking meaning, he plays the viewer's perception, he pushes the wrong ... In his hands the light takes an extraordinary materiality, creating spaces and fascinating fictional ... disturbing ...

Bridget's Bardo, 2009

The light inside , Houston, Texas, 1999

Houston

Kunstmuseum Wolfsburg, from 24.10.2009 until 05.04.2010.

Taking full advantage of the architecture of the Kunstmuseum Wolfsburg installation is an exploration of space and light: immaterial and material at once. The timeless and fascinating works James Turrell stems from his incredible ability to capture the fleeting light and giving the visual and tactile presence of the density of a physical body.

Click on the following links:

Some works

www.light-art.fr/ gallery JAMES% 20TURELLE.html

www.arpla.fr/odnm/?p=3448

www.syti.net / LandArt.html

http://www.google.fr/url?sa=t&source=web&cd=10&ved=0CHEQFjAJ&url=http% 3A% 2F% 2Fwww.art-nature-project21.org 2Fspip%. php% 3Farticle107 & rct = j & q =% JAMES 20TURRELL% 20site & ei = 5FsBTd32FYet8gOvj8WbCA & usg = AFQjCNElrSUAAAQfBfLRKq_2y0fXs28JVQ SIG2 & = & ie = W8mMeN__owlbJSNbf9l87w RJA

Thick Mucas 2 Days Before Period

RECIPE OF WELL WE CHEU No. 1: NETS TO THE SOLES DIEPPOIS

Our region is rich in culinary delights more astonishing than the other. For this first recipe here are the sole fillets in Dieppe!

Ingredients:

• 4 fillets of sole
• 100 g peeled prawns 150g mushrooms
• 1kg of mussels
• 2 tablespoons heavy cream 2 shallots
• juice of 1 lemon
• 20cl dry white wine salt and pepper
• 1l fish stock
• 30g flour 30g butter

To open the mussels over high heat.

Shell the mussels and set aside.

Filter the juice of the mussels.

Slice mushrooms and fry in a little butter until evaporation water vegetation. Book. Peel and chop

shallots.

Sweat the shallots in a little butter. Add white wine and lemon juice and the juice of the mussels.

salt and pepper.

Reduce by half.

Add to 1l reduction of fish stock. Bring to a boil and poach the sole fillets for 5 min.

Arrange fillets in a baking dish.

Reduce fish stock by a third.

Make a roux with flour 30g and 30g butter. Cook, stirring well at least 6 minutes for the sauce does not taste of flour.

Wet with the reduction of white wine and fish stock until a smooth sauce.

Skip the sauce through a chinois.

Taste and adjust seasoning if necessary.

Add cream. Cook 2 minutes without boiling and stirring. Add peeled shrimp, mussels and mushrooms.

Cook another 5 minutes.

Spoon sole fillets with sauce.

You can add a scoop of saffron for color.

Bake at 180 degrees for just the dish is heated through.

Norman Bon appetit!

Wow Spectral Tiger Generat

Around the stained glass in the twentieth century: Morellet

Morellet, Spirit Stair 2010

Continuing its commitment vis-à-vis living artists through an ordering policy perennial, the Louvre told the artist Francois Morellet the creation of stained glass Lefuel the stairs.

Lefuel The staircase connects three departments of the Louvre sculptures, paintings of the Northern School and art objects. With lightness and elegance, Morellet has redesigned oculi and bays, creating The Spirit of stairs. He "amused to fragment and destabilize the panes to scrap a little rough, comparing them to their own image, taken with an old technique and the glassmakers valuable." The exercise was difficult because he had to meet a number of constraints related to the building - like the old format and hardware glazing - while ensuring that they are still visible. Creating Morellet based on the superposition of the design inverted the existing grid, associated with the previous cutting. To make visible the old form in new, Morellet has differentiated the glasses, and has traditionally assembled with lead. If this installation illuminates a new light on the structure, the dismantling of old glasses of central oculus has found the former perspective through the halls of Decorative Art. The artist wanted to leave her free, even change the choice of glass, not taking "to a setting symmetrical and identical on all the stairs," but prefer "adapt to each situation and enjoy the chance." Click on the following links: http://www.google.fr/url?url=http://vimeo .com/15480548 & rct = d & sa = X & ei = 2vfzTL7XHNaS4gb_x9THAQ & ved 0CDcQuAIwAA = & q = the + Louvre + MORELLET & usg = AFQjCNEFcwpvcyHPrsgXfp8Pl5-HjQY9jw & ie = RJA http://www.google.fr/url?url=http://www.dailymotion.com/video/xb6ws6_peinture-parlee-francois-morellet-1_creation&rct=j&sa X = & ei = jPzzTJGWAZGM4QasnLjIAQ & ved 0CDoQuAIwAA = & q = site Morellet + of + the +% 27artiste & usg = AFQjCNE64AtomMcifNPfv9-sL-hqMAXWVg & ie = RJA http:/ / www.google.fr/url?sa=t&source=web&cd=2&ved=0CCMQFjAB&url=http% 3A% 2F%% 2Fimagoartvideo.perso.neuf.fr 2Fmorellet.htm & rct = j & q Morellet =% 20site% 20of% 20l% 27artiste & ei = Mf3zTM2IKKSM4gbS7YGOAg & usg = AFQjCNGFkGLGecrIajPkt96JUH8P1sLCQQ SIG2 & = & ie = LDQfH0on0SpxaqF0ZIGWHA RJA Order of the Louvre Museum in partnership with the National Arts Centre plastic - Ministry of Culture and Communication, through the GDF SUEZ sponsorship , with the support of the Young Patrons Circle Louvre . http://www.louvre.fr/llv/exposition/detail_exposition.

Tattoos On The Female Genitals

installation and in situ (continued)

SITU AND INSTALLATION (Continued)



Ernest Pignon Ernest

2010 / Labour in situ at the Museum of Art and History of St. D enis

As of October 15, 2010, the Museum of Art and History of Saint-Denis hosting an exhibition by Ernest Pignon-Ernest, who talks about women, mysticism and body ..

Ernest Pignon-Ernest exposed at Saint-Denis

In dialogue for nearly 20 years the great mystics such as Mary Magdalene, Hildegard of Bingen, Angela of Foligno, Catherine of Siena, Teresa of Avila, Mary of the Incarnation, Madame Guyon, Ernest Pignon-Ernest has developed an innovative facility to express the materiality and the sensuality of the bodies of women who aspired to disembodiment.

From drawings, scans and digital pigment prints were made, then mounted on aluminum panels shaped leaves, to give an exceptional collection of seven women whose body image is reflected in a pond.

The work of Ernest Pignon-Ernest, already present in the museum devoted to the Commune of Paris, joined not only by the mystique of the Caramel and the famous figures of Mary Magdalene and Louise, but also that of the poet Paul Eluard inspired by such verses of Teresa of Avila.




"My main thing is the material reality try to assimilate both the plastic qualities (space, color, material, rhythms) and symbolic qualities ... we're lucky to be in front of a limitless variety of plastic materials and poetic. "

1995 / work in situ: Behind the glass

"My plastic surgeon intervention occurs in two stages (drawing and collage) that feed off one another ... By working my collages The choice of locations, I work very meaning of the image, I multiply its potential suggestive: I mean, stuck at a certain place or another, the same image means something different, causing a different emotion .. . When I use the silkscreen is not to preserve the original. This is not to multiply a message as is done for the posters. The numbers do not count, I draw pictures sometimes routes in cities, their organization, the path they trace their successive discoveries are part of my interventions as well as the design itself. "






"Payphones ... it is both an isolated and open to others.
people stand behind the glass like a museum. "

1988-1990 / Naples

"I tend to think that Naples, the Neapolitans, lifestyle,
their organization, philosophy, constitute a kind of conservatory
living our values of humanist culture, the last tribe of irreducible
Pasolini said, inflexible facing the juggernaut of the Anglo-Saxon
media and liberal. death, his performances and rituals she creates
since time immemorial meet at each step in the streets ...
I went there to question our culture. "

" I use the force s ubjective City, my images are
things appear which potentially are already there. "

1983-1984 / Arborigènes
The Jardin des Plantes, Paris Museum
Antibes
Forest Uzeste

"These are figures of men and women in their vegetative nudity. These sculptures are
accumulations of plant cell layouts:
they need sunlight, water, or they die, they dry ,
decompose. The plant is in human form. "











In 1983, Ernest Pignon-designed the project "arborigènes "Biological planting sculptures made from polyurethane foam. Composed of living plant cells, they represent the mythical osmosis between plants and humans, embodied by the figure of Daphne Bernini.

How do these sculptures are they alive?

"Like plants, like leaves, these sculptures are accumulations of plant cell layouts: they takes sun, they need water or they die, they dry themselves down. They assimilate the sunlight, converts it into glucose, in life, they take up carbon dioxide and produce oxygen, they breathe at night. The plant is in human form, through which the phenomenon of photosynthesis. We have kept several months in the greenhouse of the Nuclear Studies Center of Cadarache. Claude Gudin feared that the production of heat during manufacturing has weakened cells. He has partially reseeded injections. He estimated about one billion the number of cells in each character. It is not an "envelope "Filled plastic cells, or even a sponge that would be impregnated. The cells of microalgae are immobilized at the molecular level in the polymer. Discovered by Professor Lewin from the University of California San Diego, they have names and Porphyridium cruentum Chlamydomonas mexicana. The biotechnology laboratory solar CEN Cadarache has "grown" and specially bred to our project. "

Where and how did you integrate these sculptures in the environment?

Once solved the technical problems by carrying out these forms, we had to tackle one of their integration into the wild. The first installation was in the Moors. I had spread over about three hundred meters. They were discovered by walking through a path similar to what I do with my images in the cities. The second time I have installed the Jardin des Plantes in Paris. If on these Arbrorigènes we could talk about research sculptural plastic, it is obviously not in the form of characters but rather in their integration with nature. It was to create rhythms, empty, full, so that their discovery and the lag they cause trouble to do the space vegetable a poetic and plastic.

What happened to these Arbrorigènes today?

Several died during the Venice Biennale 1986. I had installed to twenty meters high. They have been watered and quite decomposed. There are three left at the Picasso Museum in Antibes on the terrace, a dozen European Center for Contemporary Art in Action Park Pourtales in Strasbourg, two in the Jardin des Plantes in Paris, some in pension with friends ...

interview excerpt by Ernest Pignon-Ernest, Editions Herscher, Paris, 1990.

1979 / evictions
Paris

"I felt the pain one feels to be hunted places in its history to lose his bearings
older ... My parents, at Nice, had been evicted. Moreover, during this period from 1975 to 1980, there were many renovations in Paris, especially near Montparnasse I passed through daily. I found startling, shocking, these buildings gutted this laid bare, this projection in the eyes all traces of people's privacy. This exhibition seemed extremely violent ... also traces of floors, walls may also appear as an organization colors, materials, lines, one can think to research plastic charged with emotions and memories. "

" I found striking, shocking, these buildings gutted, this is exposed, this projection in the eyes All traces of the intimate people's lives. I remember a kid's room, blue paper, cut and pasted the boats which outlined the location of a bed. This exhibition seemed extremely violent, like a rape ... "




" ... Moreover, it is evident that these spaces determined by the traces of floors and partitions may also appear as an organization of colors, materials, lines: These walls are irresistibly reminiscent of visual research, which is more loaded with emotions and memories. Basically, we could just both sign.

1978-1979 / The Paris

Rimbaud Charleville

"... I worked hard in the drawing, the attitude, the jacket over his shoulder, the fragility of the wrist, the choice of jeans that give it a contemporary look but also very close to the figure that we know of drawings by Verlaine "...






"The multiplicity of collages in different places I could not freeze the image of the poet."














"In order not to erect a statue I made a Rimbaud plural fleeting and wandering. By vulnerability of the paper, his disappearance is recorded in the image itself, it
is one of the suggestive and poetic ... "

1978-1979 / Grenoble

Working in conjunction with local businesses
and a dozen workers.

"At that time, I wondered about the role of the artist. Gradually has become a theme related to the degradation of body in certain positions work, assault invisible, slow plaguing the body for years, smoke, noise, pollution various ... "



" ... I chose to deal with a reality that is not mine to make an artwork that expresses what is implicit in a society and that only art and poetry can be updated. To capture all the riches of this reality, I needed to work with those who experience these problems every day ... I drew a character that served as a base image on which are superimposed on the screen, stencil, tearing, burning, bending ...


"... then we stuck the images in the industrial zone in specific locations ..."

1972 / The Paris Commune

"The very form of a fair commemoration was nonsense, the negation of the Commune, a way to trample the memory. I then took the idea literally, and I thought of wallpapering corpses of the ground ... "







" Do not shoot for the work or a proposal for plastic
it is a story. "" My Pictures interrogate the myths, they trace paths that intersect, overlap, they deal with our origins, women, rites of death. "





" My images derive the source cited. They arise from the space offered by the wall, they expressed through face to face with the man who discovered their degradation contributes to enroll in the city. "

Artist website / Click on the link below:

http://www.pigno ernest.com n /